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home·artworks·Two Chattering Housewives
Two Chattering Housewives by Nicolaes Maes

plate no. 3027

Two Chattering Housewives

Nicolaes Maes, 1660

oilBaroquegenre paintingfiguresbuildingdogtreebucketwindow
some experience helpful

Recreating this painting will help students develop skills in rendering realistic figures and drapery, as well as creating depth through atmospheric perspective in the background. It also provides practice in capturing the subtle nuances of light and shadow on various surfaces.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes and composition: figures, building, tree, and dog.

  2. step 02

    Establish the background with a thin wash of color, focusing on the atmospheric perspective and the distant building.

  3. step 03

    Block in the main colors of the figures: skin tones, clothing, and hair, paying attention to the light and shadow.

  4. step 04

    Develop the details of the figures' faces and clothing, refining the shapes and adding highlights and shadows.

  5. step 05

    Paint the tree trunk and branches, using a variety of browns and greens to create texture and depth.

  6. step 06

    Add the details of the bucket, dog, and other elements in the foreground.

  7. step 07

    Refine the overall composition, adjusting the values and colors as needed to create a sense of harmony and balance.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · titanium white · ivory black · yellow ochre · burnt umber

secondary · cadmium red · viridian green · ultramarine blue

Mix various shades of brown and green by combining burnt umber, yellow ochre, and viridian green. Achieve skin tones by mixing titanium white, yellow ochre, and a touch of cadmium red.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Ignoring the importance of atmospheric perspective in creating depth.
  • →Using colors that are too saturated or unrealistic.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·round brushes (various sizes)
  • ·palette knife
  • ·linseed oil

optional

  • ·medium gloss
  • ·palette
  • ·easel

Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for capturing the details of the painting.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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