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home·artworks·Twins (Grace and Kate Hoare)
Twins (Grace and Kate Hoare) by John Everett Millais

plate no. 3146

Twins (Grace and Kate Hoare)

John Everett Millais, 1876

oil, canvasRealismportraitfiguresportraitdogclothinggardenhats
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding how to create depth and form through subtle value changes and soft blending.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of figures and key elements.

  2. step 02

    Establish the background with broad, blended strokes of warm browns and greens.

  3. step 03

    Block in the main shapes of the figures, paying attention to the overall value structure.

  4. step 04

    Begin refining the facial features, using subtle color variations to create form and likeness.

  5. step 05

    Add details to the clothing, including the stripes, lace, and floral embellishments.

  6. step 06

    Paint the dog, focusing on capturing its fur texture and expression.

  7. step 07

    Refine the lighting and shadows throughout the painting, adding highlights and deepening dark areas.

  8. step 08

    Add final details and adjust colors as needed to achieve a cohesive and realistic effect.

color palette

primary · ivory black · raw umber · burnt umber · titanium white

secondary · yellow ochre · cadmium red · ultramarine blue

Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber. Dark clothing is created with black and umber, lightened with white for highlights. Muted greens are made with yellow ochre, ultramarine blue, and umber.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·scumbling
  • ·rendering fabric

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Inaccurate skin tone mixing.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (ivory black, raw umber, burnt umber, titanium white, yellow ochre, cadmium red, ultramarine blue)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Rags

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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oil painting for beginners →how to learn by studying the masters →
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