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home·artworks·Turkish wedding
Turkish wedding by Jean Baptiste Vanmour

plate no. 6065

Turkish wedding

Jean Baptiste Vanmour, 1730

oil, canvasBaroquegenre paintingfigureslandscapecityscapeprocessionwatersky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering figures in a landscape setting. It also provides practice in creating a sense of depth and distance through tonal variations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the cityscape and figures.

  2. step 02

    Establish the sky with a light blue-gray wash, blending the colors to create a soft, cloudy effect.

  3. step 03

    Block in the distant landscape with muted greens and browns, paying attention to the atmospheric perspective.

  4. step 04

    Begin adding details to the cityscape, using lighter tones to suggest buildings and structures.

  5. step 05

    Roughly sketch the figures in the foreground, focusing on their general shapes and positions.

  6. step 06

    Develop the figures with more detail, adding clothing and facial features.

  7. step 07

    Refine the foreground with details like foliage and ground texture.

  8. step 08

    Add final highlights and shadows to enhance the overall depth and realism.

color palette

primary · raw umber · titanium white · Prussian blue

secondary · cadmium red · yellow ochre · ivory black

Achieve the muted tones by mixing complementary colors and adding white or raw umber. Use thin washes of color to build up layers and create depth.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing
  • ·tonal painting

common pitfalls

  • →Overworking the details in the background, which can flatten the image.
  • →Making the figures too bright or saturated, which can distract from the overall composition.
  • →Failing to establish a strong sense of atmospheric perspective, which can make the painting appear flat.
  • →Ignoring the subtle color variations in the sky and landscape.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·Prussian blue oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-grain canvas for best results. Thin the oil paints with linseed oil for smoother blending.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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