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home·artworks·Tsarina Praskovia Fedorovna Saltikova, widow of Ivan V
Tsarina Praskovia Fedorovna Saltikova, widow of Ivan V by Ivan Nikitin

plate no. 4995

Tsarina Praskovia Fedorovna Saltikova, widow of Ivan V

Ivan Nikitin

oilBaroqueportraitportraitfigureclothingjewelryheaddresshistorical
some experience helpful

This painting provides practice in capturing likeness through subtle value changes and understanding how light interacts with skin tones. Students can also learn to create the illusion of texture in clothing and jewelry with careful brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head and shoulders.

  2. step 02

    Establish the background with a dark, muted color.

  3. step 03

    Block in the main areas of light and shadow on the face and clothing using thin washes.

  4. step 04

    Gradually build up the skin tones with layers of subtle color variations, paying attention to highlights and shadows.

  5. step 05

    Add details to the facial features, such as the eyes, nose, and mouth, using small brushes.

  6. step 06

    Paint the clothing and jewelry, focusing on capturing the texture and folds of the fabric.

  7. step 07

    Refine the details and adjust the values to create a sense of depth and realism.

  8. step 08

    Add final highlights and shadows to enhance the overall effect.

color palette

primary · ivory black · yellow ochre · raw umber · titanium white

secondary · cadmium red · ultramarine blue

Mix skin tones using yellow ochre, raw umber, and titanium white, with small amounts of cadmium red for warmth. Darken colors with ivory black and lighten with titanium white. Use ultramarine blue to cool down shadows.

techniques

  • ·portraiture
  • ·chiaroscuro
  • ·glazing
  • ·blending
  • ·scumbling

common pitfalls

  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the subtle variations in value and color.
  • →Ignoring the importance of accurate proportions.
  • →Getting lost in details before establishing the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended for beginners.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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