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home·artworks·Triunfo de San Agustín
Triunfo de San Agustín by Claudio Coello

plate no. 9100

Triunfo de San Agustín

Claudio Coello, 1664

oil, canvasBaroquereligious paintingfigureangelscloudsarchitecturelandscapereligious
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating atmospheric perspective. It also provides practice in depicting complex compositions with multiple figures and elements.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures and architectural elements.

  2. step 02

    Block in the main shapes and values using thin washes of color, focusing on the light and shadow patterns.

  3. step 03

    Develop the figures, starting with the main figure of Saint Augustine, paying attention to anatomy and drapery folds.

  4. step 04

    Add details to the angels, clouds, and architectural elements, gradually building up layers of color and texture.

  5. step 05

    Refine the landscape in the background, using atmospheric perspective to create depth.

  6. step 06

    Work on the details of the clothing, staff, and other accessories, adding highlights and shadows to create form.

  7. step 07

    Glaze over areas to unify the colors and create a sense of atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · burnt umber · cadmium red · ultramarine blue

secondary · yellow ochre · ivory black · raw sienna

Achieve the skin tones by mixing titanium white, cadmium red, and a touch of burnt umber. Create the cloud colors by blending titanium white with ultramarine blue and burnt umber. The drapery is achieved through layering cadmium red and burnt umber, and highlighting with titanium white.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·drapery rendering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Inaccurate proportions in the figures.
  • →Creating muddy colors by overmixing.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·damar varnish
  • ·medium

Use high-quality oil paints for best results. Prepare the canvas with gesso before starting to paint.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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