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home·artworks·Triumph of Charles III at the Battle of Velletri
Triumph of Charles III at the Battle of Velletri by Francesco Solimena

plate no. 4467

Triumph of Charles III at the Battle of Velletri

Francesco Solimena, 1744

oilBaroqueportraithorsefigureportraitbattlesoldierssky
experienced study

Recreating this painting will help students develop skills in dynamic composition, capturing movement, and using loose brushwork to suggest detail rather than rendering it precisely. It also provides practice in creating a sense of depth and atmosphere using value and color.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the horse and rider.

  2. step 02

    Establish the overall value structure with thin washes of burnt umber, paying attention to the light and shadow patterns.

  3. step 03

    Block in the main color areas, starting with the darkest tones and gradually adding lighter values.

  4. step 04

    Develop the details of the horse and rider, using thicker paint and more defined brushstrokes.

  5. step 05

    Add the background elements, keeping them soft and atmospheric.

  6. step 06

    Refine the highlights and shadows to create a sense of depth and dimension.

  7. step 07

    Add final details and adjust the overall color balance.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the atmosphere.

color palette

primary · burnt umber · titanium white · ivory black

secondary · cadmium red · yellow ochre · ultramarine blue

Achieve the flesh tones by mixing white, red, and a touch of yellow ochre. Create the darks by mixing burnt umber and black, and adjust the values with white. Use ultramarine blue to create atmospheric effects in the background.

techniques

  • ·alla prima
  • ·scumbling
  • ·dry brushing
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Overworking the details and losing the spontaneity of the brushwork.
  • →Creating a flat, lifeless image by not paying attention to the value structure.
  • →Using colors that are too saturated and not creating a sense of atmosphere.
  • →Failing to capture the movement and energy of the scene.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·#8 round brush
  • ·#4 filbert brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a toned canvas to help establish the value structure.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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