
plate no. 7466
Simon Ushakov, 1668
Recreating this painting will help students develop skills in layering, glazing, and creating intricate details. It also provides practice in rendering figures and decorative elements in a stylized manner.
technical profile
approach — 8 steps
Prepare the surface with gesso and let it dry completely.
Lightly sketch the main composition, including the central figure, the tree branches, the medallions, and the architectural elements.
Apply a base layer of gold or ochre for the background, allowing it to dry.
Begin painting the central figure of the Virgin Mary and Child, focusing on accurate proportions and subtle shading.
Paint the medallions with the figures, paying attention to the details of their clothing and the scrolls they hold.
Add the tree branches, leaves, and roses, using a variety of greens and reds.
Paint the architectural elements at the bottom of the painting, using a pinkish hue for the walls and towers.
Add final details such as highlights, shadows, and decorative elements.
color palette
primary · ochre · brown · red · green
secondary · gold · pink · blue · white
Achieve the gold background by mixing yellow ochre with a touch of burnt sienna and white. Create the various skin tones by mixing white, yellow ochre, and a touch of red. Mix greens by combining yellow and blue, adjusting the proportions for different shades.
techniques
common pitfalls
surface · gessoed panel
required
optional
Using high-quality tempera paints will ensure the longevity and vibrancy of the painting. A smooth, well-gessoed surface is essential for achieving fine details.
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