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home·artworks·Travellers Outside an Inn
Travellers Outside an Inn by Isaac van Ostade

plate no. 6267

Travellers Outside an Inn

Isaac van Ostade, 1645

oilBaroquegenre paintingfiguresbuildingstreesskyanimalsvillage
experienced study

Recreating this painting will help students develop skills in rendering complex compositions with many figures and architectural details, as well as creating atmospheric perspective through subtle value and color shifts. It also provides practice in capturing realistic textures and details in foliage and building materials.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the major shapes: the buildings, trees, and the overall arrangement of figures.

  2. step 02

    Establish the sky with thin washes of gray and white, paying attention to the subtle variations in tone.

  3. step 03

    Block in the large masses of the buildings and trees using a limited palette of earth tones.

  4. step 04

    Start adding details to the buildings, focusing on the textures of the walls and roof.

  5. step 05

    Begin painting the figures, starting with the larger, more prominent ones and gradually working towards the smaller figures in the background.

  6. step 06

    Pay close attention to the lighting and shadow patterns to create a sense of depth and volume.

  7. step 07

    Add the details of the animals and other objects in the foreground.

  8. step 08

    Refine the overall composition, adjusting values and colors as needed to create a cohesive and harmonious image.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ivory black · Prussian blue

Achieve the muted tones by mixing earth colors with white and small amounts of black or blue. Use thin washes for the sky and thicker paint for the foreground details.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →Getting bogged down in details too early in the process.
  • →Failing to establish a strong sense of depth and perspective.
  • →Overworking the painting and losing the freshness of the initial layers.
  • →Inaccurate proportions of figures and buildings.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·Prussian blue oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a toned ground to simplify the initial stages of painting.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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