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home·artworks·Travelers in front of an inn
Travelers in front of an inn by Klaes Molenaer

plate no. 2294

Travelers in front of an inn

Klaes Molenaer

oak, woodBaroquelandscapebuildingfigureslandscapeskycloudstrees
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex architectural forms with subtle variations in tone and texture. It's also good practice for painting figures in a landscape setting.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the building, the horizon line, and the placement of the figures.

  2. step 02

    Establish the basic color washes for the sky, land, and building, focusing on the overall tonal values.

  3. step 03

    Begin building up the details of the building, using darker tones to define the shadows and lighter tones for the highlights.

  4. step 04

    Add the figures, starting with the larger shapes and gradually adding details.

  5. step 05

    Refine the landscape, paying attention to the atmospheric perspective and the way the colors fade into the distance.

  6. step 06

    Add details to the foreground, such as the logs and other objects.

  7. step 07

    Glaze over the painting to unify the colors and create a sense of depth.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · raw umber · burnt umber · titanium white

secondary · yellow ochre · Prussian blue · cadmium red

Mix raw umber and burnt umber with white for the building and landscape. Use yellow ochre to create highlights. Mix Prussian blue and white for the sky. Add small amounts of cadmium red to create warmer tones.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong sense of atmospheric perspective.
  • →Using colors that are too saturated.
  • →Ignoring the subtle variations in tone and texture.

materials

surface · stretched canvas

required

  • ·Stretched canvas 12x16
  • ·Raw umber oil paint
  • ·Burnt umber oil paint
  • ·Titanium white oil paint
  • ·Yellow ochre oil paint
  • ·Prussian blue oil paint
  • ·Cadmium red oil paint
  • ·Assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a canvas with a smooth surface to facilitate blending. Consider using a medium to thin the oil paints and improve flow.

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related guides

chiaroscuro →how to learn by studying the masters →
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