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home·artworks·Train on the way
Train on the way by Isaac Levitan

plate no. 7729

Train on the way

Isaac Levitan, 1895

oil, canvasRealismlandscapelandscapetrainrailroadtreesskyclouds
some experience helpful

This painting offers a great opportunity to practice atmospheric perspective and rendering depth through subtle color and value shifts. Students can also develop their skills in capturing textures using broken color and varied brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Establish the horizon line and basic composition with a light sketch using thinned paint.

  2. step 02

    Block in the sky with a light blue-gray, blending subtly to create a soft, atmospheric effect.

  3. step 03

    Define the dark mass of the forest in the background, using a mix of dark greens and browns.

  4. step 04

    Paint the rolling hills and train tracks, paying attention to perspective and the way light falls on the surfaces.

  5. step 05

    Add the telephone poles, carefully observing their placement and the shadows they cast.

  6. step 06

    Introduce details to the foreground foliage with broken color and varied brushstrokes, creating a sense of depth and texture.

  7. step 07

    Paint the train and its smoke, softening the edges to integrate it into the atmosphere.

  8. step 08

    Refine the details and adjust values to create a cohesive and atmospheric landscape.

color palette

primary · Prussian blue · Yellow ochre · Burnt umber · Titanium white

secondary · Cadmium red light · Sap green

Mix muted greens by combining yellow ochre, Prussian blue, and a touch of burnt umber. Achieve atmospheric effects by adding white to colors and blending softly. Use cadmium red light sparingly to create the pinkish hues in the sky and clouds.

techniques

  • ·Atmospheric perspective
  • ·Broken color
  • ·Scumbling
  • ·Dry brushing
  • ·Blending

common pitfalls

  • →Overworking the details in the foreground
  • →Creating too much contrast, losing the atmospheric effect
  • →Incorrect perspective on the train tracks and telephone poles
  • →Using colors that are too saturated

materials

surface · Stretched canvas

required

  • ·Stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits

optional

  • ·Palette knife
  • ·Retouch varnish
  • ·Easel

Use a medium-tooth canvas for better texture. Consider using a limited palette to achieve color harmony.

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oil painting for beginners →how to learn by studying the masters →
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