apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Trail in the forest
Trail in the forest by Isaac Levitan

plate no. 5926

Trail in the forest

Isaac Levitan, 1880

oil, canvasRealismlandscapeforestpathtreesfigurelandscapesunset
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and broken color techniques to depict light filtering through foliage. They will also practice creating depth using variations in color temperature and value.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the path and the placement of the figure.

  2. step 02

    Establish the overall color scheme with a thin wash of diluted paint.

  3. step 03

    Block in the dark areas of the trees and foliage, paying attention to the shapes and patterns.

  4. step 04

    Begin layering in lighter greens and yellows to create the impression of sunlight.

  5. step 05

    Add the red/orange hues of the sunset filtering through the trees in the background.

  6. step 06

    Refine the path with variations in brown and green, suggesting texture and depth.

  7. step 07

    Add details to the figure, keeping it simple and suggestive.

  8. step 08

    Add final highlights and shadows to enhance the sense of light and atmosphere.

color palette

primary · viridian green · yellow ochre · burnt umber · titanium white

secondary · cadmium red · ultramarine blue · raw sienna

Mix greens by combining viridian green, yellow ochre, and small amounts of burnt umber or ultramarine blue to adjust the temperature. Achieve the sunset colors by mixing cadmium red with yellow ochre and a touch of white for highlights.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·glazing
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the overall impression of light and atmosphere.
  • →Using too much pure green without mixing in other colors to create variation.
  • →Making the path too uniform and flat, failing to create a sense of depth.
  • →Ignoring the subtle shifts in color temperature that create atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints (viridian green, yellow ochre, burnt umber, titanium white, cadmium red, ultramarine blue)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette knife
  • ·palette

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a canvas with a medium texture to allow for better paint adhesion and blending. Consider using a toned canvas (e.g., with a thin wash of burnt umber) to create a warmer base.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy