apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Town with a Bridge
Town with a Bridge by Francesco Guardi

plate no. 6236

Town with a Bridge

Francesco Guardi, 1750

oil, canvasBaroquecityscapebridgebuildingsfigureswaterskyarchitecture
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the texture of old buildings using loose brushwork. It also provides practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the bridge, buildings, and figures, paying attention to proportions.

  2. step 02

    Establish the overall value structure with a thin wash of neutral color.

  3. step 03

    Block in the main colors of the sky, water, and buildings, focusing on creating a sense of depth.

  4. step 04

    Add details to the bridge and buildings, using broken brushstrokes to create texture.

  5. step 05

    Paint the figures and other small details, using a limited palette of colors.

  6. step 06

    Refine the highlights and shadows to create a sense of form.

  7. step 07

    Add final touches, such as reflections in the water and details in the sky.

  8. step 08

    Glaze with thin layers to unify the painting.

color palette

primary · raw umber · titanium white · Prussian blue

secondary · burnt sienna · yellow ochre · ivory black

Mix various shades of gray and brown by combining the primary colors with small amounts of secondary colors. Use white to lighten the colors and create highlights.

techniques

  • ·dry brushing
  • ·scumbling
  • ·glazing
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Overworking the details and losing the loose, painterly quality.
  • →Failing to establish a strong value structure.
  • →Using too many colors and creating a muddy effect.
  • →Ignoring the atmospheric perspective and creating a flat image.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·Prussian blue oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a canvas with a medium texture to facilitate the application of broken brushstrokes.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne