
plate no. 6481
Konstantin Bogaevsky, 1935
approach — 8 steps
Lightly sketch the main shapes: mountains, trees, and the general layout of the town.
Apply a light wash of diluted yellow ochre across the entire paper for a warm undertone.
Begin with the sky, using a diluted blue wash, allowing it to blend softly with the clouds.
Paint the distant mountains with a light, muted purple-gray wash, gradually increasing the color intensity as you move forward.
Add the mid-ground hills and fields using a mix of yellow ochre, burnt sienna, and a touch of green.
Define the trees with burnt umber and a touch of black, using dry brush strokes for texture.
Paint the town with a mix of browns and grays, adding small details to suggest buildings and structures.
Add final details and shadows to create depth and dimension.
color palette
primary · yellow ochre · burnt sienna · ultramarine blue
secondary · raw umber · payne's gray · sap green
Mix yellow ochre and burnt sienna for the warm earth tones. Use ultramarine blue and a touch of burnt sienna to create muted grays and purples for the mountains. Add a touch of Payne's gray to darken the shadows.
techniques
common pitfalls
surface · watercolor paper 140lb
required
optional
Use high-quality watercolor paper to prevent buckling and ensure good color absorption. Experiment with different brush sizes and techniques to achieve the desired effects.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress