apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·View from the studio in Eerbeek
View from the studio in Eerbeek by Jan Mankes

plate no. 3408

View from the studio in Eerbeek

Jan Mankes, 1917

oilSymbolismlandscapelandscapesnowtreesfigurehedgesky
some experience helpful

This painting is good for learning about atmospheric perspective and creating depth with subtle color shifts. Students can practice layering and blending to achieve the soft, muted tones.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the main elements (hedge, tree, figure).

  2. step 02

    Block in the sky with a light gray-green, blending it smoothly.

  3. step 03

    Establish the distant trees with a darker, muted green-brown, using soft edges.

  4. step 04

    Paint the snow-covered field with a cool white, adding subtle shadows and variations in tone.

  5. step 05

    Define the hedge with a mix of brown and green, using short, broken brushstrokes to suggest the branches.

  6. step 06

    Add the figure with simple shapes and muted colors, paying attention to the light and shadow.

  7. step 07

    Paint the tree trunk and branches with varying shades of brown and gray, adding texture with dry brush techniques.

  8. step 08

    Add final details, such as the birds in the sky and the subtle variations in the snow.

color palette

primary · titanium white · raw umber · sap green

secondary · burnt sienna · payne's gray

Mix white with small amounts of raw umber and sap green to achieve the muted tones of the snow and sky. Use burnt sienna to add warmth to the hedge and figure.

techniques

  • ·atmospheric perspective
  • ·dry brushing
  • ·layering
  • ·soft blending
  • ·muted color mixing

common pitfalls

  • →Using too much bright white in the snow
  • →Creating harsh lines and edges
  • →Failing to establish depth with atmospheric perspective
  • →Overworking the details

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·sap green oil paint
  • ·burnt sienna oil paint
  • ·payne's gray oil paint
  • ·round brushes
  • ·flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a limited palette to achieve the muted tones of the painting. Consider using a toned canvas to create a more unified color scheme.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Satan Addressing his Potentates

Satan Addressing his Potentates

William Blake

Self-portrait in studio

Self-portrait in studio

Franz Stuck

Tajik

Tajik

Kuzmá Petrov-Vodkin

Harlequin's garden

Harlequin's garden

Serge Sudeikin

Incantation

Incantation

Felicien Rops

Anzac, the Landing

Anzac, the Landing

George Washington Lambert

Paisatge

Paisatge

Joan Brull

Holstentor

Holstentor

Magnus Enckell