apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Incantation
Incantation by Felicien Rops

plate no. 8838

Incantation

Felicien Rops, 1885

engravingSymbolismillustrationinteriorfigurebooksalchemywindowstill life
advanced study

Recreating this painting will help students develop skills in rendering complex scenes with many objects and figures, as well as understanding atmospheric perspective and creating a cohesive color scheme.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
1

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch of the overall composition, focusing on the placement of major elements like the figure, the reader, and the window.

  2. step 02

    Refine the sketch, adding details to the objects and figures, and paying attention to proportions and perspective.

  3. step 03

    Begin applying base colors, starting with the background and working your way forward.

  4. step 04

    Gradually build up layers of color, adding shadows and highlights to create depth and dimension.

  5. step 05

    Pay close attention to the skin tones of the figures, using subtle variations in color to create a realistic effect.

  6. step 06

    Add details to the objects, such as the books, bottles, and other alchemical paraphernalia.

  7. step 07

    Refine the overall composition, adjusting colors and values as needed to create a cohesive and balanced image.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · ultramarine blue · cadmium red light · yellow ochre

Mix various shades of brown and beige by combining raw umber, burnt sienna, and titanium white. Use ultramarine blue and cadmium red to create muted purples and grays for shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·color layering
  • ·hatching

common pitfalls

  • →Getting lost in the details too early and neglecting the overall composition.
  • →Using colors that are too saturated and creating a jarring effect.
  • →Failing to create a sense of depth and dimension.
  • →Inaccurate proportions of figures and objects.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor brushes (various sizes)
  • ·watercolor paper 140lb
  • ·palette
  • ·water container
  • ·paper towels
  • ·pencil
  • ·kneaded eraser

optional

  • ·palette knife
  • ·masking fluid
  • ·ruler

Use high-quality watercolor paints for best results. Consider using a limited palette to create a cohesive color scheme.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Satan Addressing his Potentates

Satan Addressing his Potentates

William Blake

Self-portrait in studio

Self-portrait in studio

Franz Stuck

Tajik

Tajik

Kuzmá Petrov-Vodkin

View from the studio in Eerbeek

View from the studio in Eerbeek

Jan Mankes

Harlequin's garden

Harlequin's garden

Serge Sudeikin

Anzac, the Landing

Anzac, the Landing

George Washington Lambert

Paisatge

Paisatge

Joan Brull

Holstentor

Holstentor

Magnus Enckell