apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Paisatge
Paisatge by Joan Brull

plate no. 3655

Paisatge

Joan Brull

oilSymbolismlandscapetreeslandscapeskysunsetfoliagepath
some experience helpful

This painting helps students practice layering techniques to create depth and atmospheric perspective. It also encourages exploration of color mixing to achieve subtle variations in greens and blues.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees and the horizon line.

  2. step 02

    Block in the sky with a light blue and pink mix, blending the colors softly.

  3. step 03

    Establish the dark masses of the trees with a mix of dark green and blue.

  4. step 04

    Add layers of lighter greens and blues to the foliage to create depth and texture.

  5. step 05

    Paint the path with muted browns and greens, suggesting a winding trail.

  6. step 06

    Introduce the warm glow of the setting sun using yellows and oranges.

  7. step 07

    Refine the details of the trees, adding branches and highlights.

  8. step 08

    Add final touches to the foliage and ground cover to complete the painting.

color palette

primary · Prussian Blue · Sap Green · Titanium White

secondary · Yellow Ochre · Burnt Umber · Alizarin Crimson

Achieve the various greens by mixing Prussian Blue, Sap Green, and Yellow Ochre. Use Titanium White to lighten the colors and create highlights. Mix Alizarin Crimson with Prussian Blue for deeper shadows.

techniques

  • ·Layering
  • ·Blending
  • ·Dry brushing
  • ·Color mixing
  • ·Atmospheric perspective

common pitfalls

  • →Overworking the details and losing the overall impression.
  • →Using too much pure color without mixing.
  • →Failing to create depth through layering and value changes.
  • →Ignoring the subtle color variations in the foliage.

materials

surface · stretched canvas

required

  • ·Stretched canvas (12x16 inches)
  • ·Acrylic or oil paints
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brush (size 8)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits or water (depending on paint type)
  • ·Linseed oil (if using oil paints)

optional

  • ·Easel
  • ·Medium gloss
  • ·Rags

Use a canvas with a smooth surface for easier blending. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Satan Addressing his Potentates

Satan Addressing his Potentates

William Blake

Self-portrait in studio

Self-portrait in studio

Franz Stuck

Tajik

Tajik

Kuzmá Petrov-Vodkin

View from the studio in Eerbeek

View from the studio in Eerbeek

Jan Mankes

Harlequin's garden

Harlequin's garden

Serge Sudeikin

Incantation

Incantation

Felicien Rops

Anzac, the Landing

Anzac, the Landing

George Washington Lambert

Holstentor

Holstentor

Magnus Enckell