apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Harlequin's garden
Harlequin's garden by Serge Sudeikin

plate no. 0930

Harlequin's garden

Serge Sudeikin, 1915

oilSymbolismlandscapegardenarchitecturefigurestreesnightlanterns
experienced study

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as practicing loose, expressive brushwork to capture the texture of foliage and architecture. Students can also learn about creating a focal point using light and contrast.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the architecture, figures, and trees.

  2. step 02

    Establish the dark background with a mix of blues, greens, and browns.

  3. step 03

    Block in the main shapes of the architecture and foliage with mid-tone colors.

  4. step 04

    Begin layering lighter colors to create highlights and define the forms of the buildings and trees.

  5. step 05

    Add details to the figures, paying attention to the light and shadow on their clothing.

  6. step 06

    Paint the lanterns, using warm yellows and oranges to create a glowing effect.

  7. step 07

    Refine the details and add finishing touches, such as highlights on the foliage and architecture.

  8. step 08

    Add final details to the sky and clouds to create depth and atmosphere.

color palette

primary · dark green · ochre · ultramarine blue · burnt umber

secondary · yellow ochre · cadmium yellow · cadmium red · ivory black

Mix greens by combining blues and yellows with burnt umber for darker shades. Achieve the glowing lantern effect by layering yellows and oranges over a white base.

techniques

  • ·dry brushing
  • ·layering
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the loose, expressive brushwork.
  • →Creating muddy colors by over-mixing.
  • →Failing to establish a strong value contrast.
  • →Not creating a sense of depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·selection of round and flat brushes
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·dark green oil paint
  • ·ochre oil paint
  • ·ultramarine blue oil paint

optional

  • ·palette knife
  • ·painting medium
  • ·retarder medium
  • ·varnish

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Satan Addressing his Potentates

Satan Addressing his Potentates

William Blake

Self-portrait in studio

Self-portrait in studio

Franz Stuck

Tajik

Tajik

Kuzmá Petrov-Vodkin

View from the studio in Eerbeek

View from the studio in Eerbeek

Jan Mankes

Incantation

Incantation

Felicien Rops

Anzac, the Landing

Anzac, the Landing

George Washington Lambert

Paisatge

Paisatge

Joan Brull

Holstentor

Holstentor

Magnus Enckell