apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Torture of Tharacus, Probus, and Adronicus, Tarsus, AD 290
Torture of Tharacus, Probus, and Adronicus, Tarsus, AD 290 by Jan Luyken

plate no. 4780

Torture of Tharacus, Probus, and Adronicus, Tarsus, AD 290

Jan Luyken, 1685

etchingBaroqueillustrationfiguresarchitecturecityscapestatueceremonyinterior
experienced study

Recreating this etching will help students develop skills in line drawing, cross-hatching for shading, and creating depth through varying line weights. It also provides practice in depicting complex scenes with numerous figures and architectural details.

technical profile

palette complexity
1
brushwork visibility
1
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light pencil sketch outlining the main shapes and composition.

  2. step 02

    Establish the horizon line and major architectural elements.

  3. step 03

    Start adding details to the figures, focusing on their poses and expressions.

  4. step 04

    Use fine lines to create the initial shading, gradually building up darker areas with cross-hatching.

  5. step 05

    Pay attention to the light source and use shading to create a sense of depth and volume.

  6. step 06

    Add details to the background elements, such as the buildings and the statue.

  7. step 07

    Refine the linework, adding details and correcting any errors.

  8. step 08

    Erase any remaining pencil lines and add final touches.

color palette

primary · black · white

secondary ·

This is a monochrome image, so only black and white are used. Varying the density of lines creates different shades of gray.

techniques

  • ·cross-hatching
  • ·line weight variation
  • ·contour drawing
  • ·stippling

common pitfalls

  • →Rushing the initial sketch and not establishing a solid foundation.
  • →Using lines that are too uniform in weight, resulting in a flat image.
  • →Overworking certain areas and losing the overall balance of the composition.
  • →Not paying attention to the light source, resulting in inconsistent shading.

materials

surface · Smooth paper (e.g., Bristol board)

required

  • ·Smooth paper (e.g., Bristol board)
  • ·Pencils (HB, 2B, 4B)
  • ·Eraser
  • ·Ruler
  • ·Fine-tipped drawing pens (various sizes)
  • ·Tracing paper

optional

  • ·Magnifying glass
  • ·Drafting compass

Use a variety of pencil grades to achieve different levels of shading. Consider using tracing paper to transfer the initial sketch to the final surface.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne