apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Today's square
Today's square by Giacomo Favretto

plate no. 3437

Today's square

Giacomo Favretto, 1887

oil, canvasRealismgenre paintingfiguresstreet scenecitycrowdclothingarchitecture
experienced study

Recreating this painting will help students develop skills in capturing movement and atmosphere with loose brushwork and limited color palette. It also encourages observation of light and shadow on figures in a complex scene.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the overall structure of the scene.

  2. step 02

    Establish the background with broad, loose strokes, using a muted color palette.

  3. step 03

    Block in the main figures with simplified shapes and values, paying attention to their relative sizes and positions.

  4. step 04

    Develop the details of the figures, such as clothing and facial features, using smaller brushes and more precise strokes.

  5. step 05

    Add highlights and shadows to create depth and dimension, focusing on the light source.

  6. step 06

    Refine the brushwork, using broken strokes and scumbling to create texture and visual interest.

  7. step 07

    Add final touches, such as small details and adjustments to the overall composition.

  8. step 08

    Glaze with thin layers to unify the painting.

color palette

primary · raw umber · ivory black · titanium white · burnt sienna

secondary · yellow ochre · ultramarine blue · cadmium red light

Achieve the muted tones by mixing the primary colors with white and small amounts of secondary colors. Use thin washes of color to create depth and atmosphere.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·dry brushing
  • ·glazing

common pitfalls

  • →overworking the details
  • →creating overly smooth surfaces
  • →losing the sense of movement
  • →using too much color

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine

optional

  • ·painting medium
  • ·varnish
  • ·easel
  • ·rags

Use a medium-grit canvas to allow for texture. Consider using a toned canvas to establish a base color.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy