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home·artworks·Tobias's Farewell to his Parents
Tobias's Farewell to his Parents by Samuel Dirksz van Hoogstraten

plate no. 8272

Tobias's Farewell to his Parents

Samuel Dirksz van Hoogstraten, 1650

oil, canvasBaroquereligious paintingfigurestableinteriorreligious sceneclothingdog
experienced study

Recreating this painting will help students develop skills in chiaroscuro, glazing, and rendering realistic figures in low light. It will also improve their understanding of composition and storytelling in art.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
5
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of figures and the table.

  2. step 02

    Establish the dark background using a thin wash of dark brown.

  3. step 03

    Block in the main light areas on the figures and the tablecloth with lighter tones.

  4. step 04

    Begin building up the shadows using layers of darker browns and blacks, paying attention to the direction of light.

  5. step 05

    Add details to the faces and clothing, using small brushes and careful blending.

  6. step 06

    Glaze over the painting with thin layers of color to create depth and luminosity.

  7. step 07

    Add highlights to the focal points to draw the viewer's eye.

  8. step 08

    Refine the details and adjust values as needed to achieve the desired effect.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · yellow ochre · cadmium red light · titanium white

Achieve the warm, muted tones by mixing burnt umber with raw sienna and small amounts of yellow ochre. Use ivory black to darken the shadows and titanium white to create highlights. Glazes can be created by thinning the paints with linseed oil.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·underpainting

common pitfalls

  • →Failing to establish a strong value structure early on.
  • →Over-blending the shadows, resulting in a muddy appearance.
  • →Using too much white, making the painting look chalky.
  • →Neglecting the details in the faces and clothing.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·linseed oil
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use high-quality oil paints for best results. Allow each layer to dry completely before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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