apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·To Søstre I En Have
To Søstre I En Have by Hans Andersen Brendekilde

plate no. 7152

To Søstre I En Have

Hans Andersen Brendekilde, 1909

oilRealismgenre paintingfiguresgardenhouserosesporchreading
some experience helpful

Recreating this painting will help students develop skills in rendering figures in natural light and creating depth through atmospheric perspective. It also provides practice in painting foliage and architectural details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the main architectural elements.

  2. step 02

    Block in the large areas of color, such as the sky, grass, and the house walls.

  3. step 03

    Establish the light and shadow patterns on the figures and the surrounding environment.

  4. step 04

    Develop the details of the figures, including their clothing and facial features.

  5. step 05

    Add details to the background, such as the foliage, flowers, and architectural details.

  6. step 06

    Refine the colors and values throughout the painting, paying attention to the overall harmony.

  7. step 07

    Add final highlights and details to create a sense of realism.

  8. step 08

    Glaze to unify the painting and adjust values as needed.

color palette

primary · yellow ochre · titanium white · viridian green · alizarin crimson

secondary · ultramarine blue · burnt umber · cadmium red light · raw sienna

Mix greens by blending viridian green with yellow ochre and titanium white. Achieve the pinks of the roses by mixing alizarin crimson with titanium white and a touch of cadmium red light.

techniques

  • ·layering
  • ·blending
  • ·scumbling
  • ·glazing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear light source.
  • →Using colors that are too saturated.
  • →Ignoring the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy