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To matins by Aleksey Savrasov

plate no. 3433

To matins

Aleksey Savrasov, 1890

oilRealismcityscapecityscapenightchurchfiguresstreetreflection
some experience helpful

Recreating this painting will help students develop skills in capturing atmospheric perspective and rendering reflections in wet surfaces. It also provides practice in creating a sense of depth and distance using value and color.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the church, figures, and street lamp.

  2. step 02

    Establish the dark background using a mix of blues and browns.

  3. step 03

    Block in the main shapes of the buildings and figures with dark, muted colors.

  4. step 04

    Add highlights to the church and street lamp to create points of interest.

  5. step 05

    Begin working on the reflections in the wet street, using horizontal brushstrokes and lighter values.

  6. step 06

    Refine the details of the figures and buildings, paying attention to the subtle variations in color and value.

  7. step 07

    Add small details to the reflections, such as the broken lines and scattered highlights.

  8. step 08

    Adjust the overall values and colors to create a cohesive and atmospheric painting.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · cadmium red

Mix ultramarine blue and burnt umber to create a range of dark, muted blues and browns. Use titanium white to lighten these colors and create highlights. Add small amounts of yellow ochre and cadmium red to warm up the colors and create a sense of light.

techniques

  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·rendering reflections
  • ·limited palette

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Making the reflections too bright or too uniform.
  • →Failing to create a sense of depth and distance.
  • →Using too many colors and creating a muddy effect.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a limited palette of colors to create a cohesive and atmospheric painting. Consider using a toned canvas to help establish the dark values.

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