apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Tivoli, view of Villa d'Este from a terrace with a fountain
Tivoli, view of Villa d'Este from a terrace with a fountain by Enrico Nardi

plate no. 1781

Tivoli, view of Villa d'Este from a terrace with a fountain

Enrico Nardi

watercolor, cardRealismlandscapetreesfountainlandscapeterracewallsky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering watercolor washes to create depth. It also provides practice in rendering architectural details and foliage with a loose, impressionistic style.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the terrace wall, fountain, trees, and distant landscape.

  2. step 02

    Apply a light wash of diluted yellow ochre and raw sienna to the sky and distant landscape.

  3. step 03

    Paint the terrace wall with a mix of burnt sienna and a touch of ultramarine blue, varying the intensity for shadows.

  4. step 04

    Add the fountain details using a slightly darker mix of the wall colors, paying attention to the form and shadows.

  5. step 05

    Paint the trees with a mix of sap green, ultramarine blue, and burnt umber, varying the values to create depth.

  6. step 06

    Add details to the foliage using dry brush techniques and varying shades of green and brown.

  7. step 07

    Create the foreground grass and shadows using a mix of yellow ochre, burnt sienna, and a touch of green.

  8. step 08

    Add final details and highlights to the fountain and trees.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue

secondary · sap green · raw sienna

Mix yellow ochre and raw sienna for the warm tones of the sky and landscape. Combine burnt sienna and ultramarine blue for the wall and fountain. Use sap green and ultramarine blue for the foliage.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·layering washes
  • ·atmospheric perspective
  • ·color mixing

common pitfalls

  • →Overworking the details, especially in the foliage.
  • →Using too much water, which can cause the colors to bleed uncontrollably.
  • →Not allowing each layer to dry completely before applying the next.
  • →Failing to create enough contrast between light and shadow.

materials

surface · watercolor paper 140lb

required

  • ·Watercolor paints (yellow ochre, burnt sienna, ultramarine blue, sap green, raw sienna)
  • ·Watercolor brushes (round and flat, various sizes)
  • ·Watercolor paper (140lb cold press)
  • ·Palette
  • ·Water container
  • ·Paper towels
  • ·Pencil
  • ·Eraser

optional

  • ·Masking fluid
  • ·Palette knife
  • ·Spray bottle

Use high-quality watercolor paper to prevent buckling and allow for better blending. Experiment with different brush sizes to achieve various effects.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

watercolor techniques →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy