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home·artworks·Tivoli, view of a street in the Villa d'Este
Tivoli, view of a street in the Villa d'Este by Enrico Nardi

plate no. 0666

Tivoli, view of a street in the Villa d'Este

Enrico Nardi

watercolor, cardRealismlandscapetreeslandscapefigurewallpathsky
suitable for beginners

Recreating this painting will help students develop skills in layering watercolor washes and creating atmospheric perspective. It also provides practice in depicting light and shadow to create form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main elements: horizon line, wall, trees, and figure.

  2. step 02

    Apply a light wash of diluted yellow ochre and burnt sienna for the sky and distant landscape.

  3. step 03

    Paint the wall with a mix of yellow ochre, burnt sienna, and a touch of ultramarine blue, varying the mix for different sections.

  4. step 04

    Add the base layer for the trees with a mix of sap green, ultramarine blue, and a touch of burnt umber.

  5. step 05

    Paint the path with a diluted mix of yellow ochre and burnt sienna, creating a gradient to suggest depth.

  6. step 06

    Add shadows to the wall, trees, and path using darker mixes of the base colors, focusing on the areas under the trees and along the wall.

  7. step 07

    Define the figure with a mix of burnt umber and ultramarine blue, keeping the details minimal.

  8. step 08

    Add final details such as highlights on the wall and subtle variations in the foliage.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue

secondary · sap green · raw umber

Achieve the muted tones by mixing complementary colors. Use plenty of water to create transparent washes. For shadows, add more ultramarine blue or burnt umber to the base colors.

techniques

  • ·wet-on-wet blending
  • ·layering washes
  • ·dry brush texture
  • ·atmospheric perspective

common pitfalls

  • →Overworking the washes, resulting in muddy colors.
  • →Using too much pigment, making the painting appear opaque.
  • →Ignoring the importance of light and shadow.
  • →Not allowing each layer to dry completely before applying the next.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor brushes (round and flat)
  • ·watercolor paper 140lb
  • ·palette
  • ·water container
  • ·masking tape
  • ·pencil

optional

  • ·palette knife
  • ·kneaded eraser
  • ·ruler

Use high-quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve varying levels of detail.

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watercolor techniques →how to learn by studying the masters →
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