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home·artworks·Tick-Tick
Tick-Tick by Briton Riviere

plate no. 9646

Tick-Tick

Briton Riviere, 1881

oilRealismanimal paintingdogpugpocket watchkeywoodanimal
some experience helpful

Recreating this painting will help students develop skills in rendering realistic fur textures and capturing subtle variations in light and shadow on a subject with a limited color palette. It also provides practice in depicting metallic objects and wood grain.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the pug, pocket watch, and background elements.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or raw sienna.

  3. step 03

    Block in the main colors of the pug, focusing on the subtle variations in tone.

  4. step 04

    Begin adding details to the pug's fur, using short, directional brushstrokes.

  5. step 05

    Paint the pocket watch, paying attention to the highlights and reflections.

  6. step 06

    Develop the background, creating depth and texture with varied brushstrokes.

  7. step 07

    Add the key and other details, refining the overall composition.

  8. step 08

    Apply final glazes and highlights to enhance the realism and depth.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · yellow ochre · ivory black

Mix various shades of brown and beige by combining raw umber, burnt sienna, and titanium white. Use ivory black sparingly to create darker tones and shadows.

techniques

  • ·blending
  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the fur, resulting in a flat, lifeless texture.
  • →Failing to capture the subtle variations in tone on the pug's body.
  • →Making the pocket watch look too shiny or artificial.
  • →Ignoring the importance of the background in creating depth and atmosphere.

materials

surface · stretched canvas

required

  • ·Stretched canvas 12x16
  • ·Oil paints (raw umber, burnt sienna, titanium white, yellow ochre, ivory black)
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·Retouch varnish
  • ·Medium (e.g., Liquin)

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial stages of the painting.

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