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home·artworks·Three peasant women with trees
Three peasant women with trees by Cristiano Banti

plate no. 3888

Three peasant women with trees

Cristiano Banti, 1890

oil, panelRealismgenre paintingfigurestreeslandscapewomenfoliageshadows
some experience helpful

Recreating this painting will help students develop skills in creating atmospheric perspective and using a limited palette to convey mood. Students will also practice rendering figures in shadow and suggesting details rather than explicitly defining them.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Prepare a toned canvas with a mid-tone brown or gray.

  2. step 02

    Lightly sketch the basic composition, focusing on the placement of the figures and the main tree trunk.

  3. step 03

    Block in the darkest areas of the painting, paying attention to the overall shapes and values.

  4. step 04

    Begin adding the mid-tones, gradually building up the forms of the figures and the surrounding foliage.

  5. step 05

    Introduce the lightest values, focusing on areas where light is breaking through the trees.

  6. step 06

    Refine the details of the figures, such as the folds in their clothing and the contours of their faces.

  7. step 07

    Add subtle variations in color to create depth and interest.

  8. step 08

    Review and adjust the overall values and composition to achieve a cohesive and atmospheric effect.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · yellow ochre · alizarin crimson

Mix burnt umber and ivory black for the darkest shadows. Use raw sienna and yellow ochre for highlights, and add alizarin crimson to warm up certain areas.

techniques

  • ·scumbling
  • ·glazing
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Creating too much contrast and making the painting look harsh.
  • →Failing to establish a clear focal point.
  • →Not paying attention to the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·alizarin crimson oil paint
  • ·linseed oil
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

A pre-toned canvas will help to establish the overall mood of the painting. Use a medium to thin the oil paint and improve its flow.

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