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home·artworks·Three Boys Merry-making
Three Boys Merry-making by Judith Leyster

plate no. 5915

Three Boys Merry-making

Judith Leyster, 1629

oil, canvasBaroquegenre paintingfiguresinteriorclothingmusical instrumenttablewindow
some experience helpful

Recreating this painting will help students develop skills in rendering figures in dynamic poses and capturing the nuances of light and shadow on fabric. It also provides practice in creating a sense of depth and atmosphere within an interior scene.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and proportions of the figures.

  2. step 02

    Block in the main shapes and colors of the background and figures using thin washes.

  3. step 03

    Gradually build up the layers of paint, focusing on the areas of light and shadow.

  4. step 04

    Pay close attention to the folds and drapery of the clothing to create a sense of volume.

  5. step 05

    Refine the details of the faces and hands, capturing the expressions and gestures of the figures.

  6. step 06

    Add highlights and shadows to create a sense of depth and dimension.

  7. step 07

    Glaze thin layers of color to unify the painting and create a sense of atmosphere.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · red ochre · raw umber · titanium white

secondary · yellow ochre · ivory black · Prussian blue

Achieve the skin tones by mixing white, red ochre, and a touch of raw umber. Use thin washes of yellow ochre and raw umber to create the warm, muted tones of the background.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·figure drawing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong sense of light and shadow.
  • →Getting the proportions of the figures wrong.
  • →Using colors that are too bright or saturated.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (red ochre, raw umber, yellow ochre, ivory black, titanium white, Prussian blue)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Turpentine or mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Experiment with different brush sizes and shapes to achieve a variety of textures.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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