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Three Angels by Ivan Rutkovych

plate no. 3899

Three Angels

Ivan Rutkovych, 1699

frescoBaroquereligious paintingangelsfiguresreligiouswingshaloslandscape
some experience helpful

Recreating this painting will help students develop skills in figure painting, drapery rendering, and creating a sense of depth through atmospheric perspective. It also provides practice in replicating a historical painting style.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Prepare the canvas with a toned ground (e.g., burnt umber wash).

  2. step 02

    Lightly sketch the basic shapes and positions of the three angels and the background elements.

  3. step 03

    Block in the large areas of color for the figures and background, focusing on the overall value structure.

  4. step 04

    Begin refining the details of the faces and hands, paying attention to the subtle shifts in color and value.

  5. step 05

    Develop the drapery folds and textures, using a combination of blending and scumbling techniques.

  6. step 06

    Add the gold leaf or paint to the halos and background, creating a sense of luminosity.

  7. step 07

    Refine the background landscape, using atmospheric perspective to create depth.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · red ochre · ultramarine blue · titanium white · yellow ochre

secondary · burnt umber · raw sienna · ivory black

Achieve the muted tones by mixing complementary colors and using white to adjust values. Use glazes of transparent colors to create depth and luminosity.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·drapery rendering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle shifts in color and value within the drapery folds.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic gesso
  • ·burnt umber acrylic paint
  • ·red ochre oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·assorted round and flat brushes
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·gold leaf

Use a medium-grain canvas for best results. Consider using a historical medium like egg tempera for a more authentic look.

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chiaroscuro →how to learn by studying the masters →
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