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home·artworks·Thorverton Bridge
Thorverton Bridge by Alfred Parsons

plate no. 7746

Thorverton Bridge

Alfred Parsons

oilRealismlandscaperiverbridgetreescloudslandscapegrass
some experience helpful

This painting provides practice in atmospheric perspective and creating realistic reflections in water. Students will also develop skills in rendering foliage and cloud formations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the bridge, river, and trees.

  2. step 02

    Establish the sky with broad strokes, blending light and dark grays to create cloud formations.

  3. step 03

    Block in the distant landscape with muted greens and blues to create depth.

  4. step 04

    Paint the river using horizontal strokes, capturing the reflections of the sky and surrounding landscape.

  5. step 05

    Add details to the trees, varying the greens and using small brushstrokes to create texture.

  6. step 06

    Paint the bridge with warm browns and reds, paying attention to the light and shadow.

  7. step 07

    Add details to the foreground, including grass, flowers, and rocks.

  8. step 08

    Refine the painting, adjusting values and adding highlights to create a sense of realism.

color palette

primary · titanium white · ultramarine blue · yellow ochre · burnt umber

secondary · cadmium yellow · alizarin crimson · viridian green

Mix various shades of gray for the sky by combining white, blue, and umber. Achieve greens by mixing yellow and blue, adding umber for muted tones.

techniques

  • ·wet-on-wet blending
  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details and losing the overall impression.
  • →Creating too much contrast, which can flatten the image.
  • →Failing to capture the subtle color variations in the sky and water.
  • →Making the colors too saturated, resulting in an unnatural look.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·round brushes sizes 2, 4, 6
  • ·flat brushes sizes 4, 8
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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