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Thomas Sandys by Nicolaes Maes

plate no. 8956

Thomas Sandys

Nicolaes Maes

oilBaroqueportraitportraitfigurerobehairdraperycolumn
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric folds with light and shadow. It also provides practice in creating a sense of depth and atmosphere through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the figure, paying attention to the placement of the head, hands, and robe.

  2. step 02

    Establish the background with a dark, muted tone, leaving areas slightly lighter where light hits the column and drapery.

  3. step 03

    Block in the main colors of the robe, using a mix of browns, oranges, and reds. Focus on capturing the overall shape and form.

  4. step 04

    Begin to refine the details of the face, paying close attention to the light and shadow patterns. Use thin layers of paint to build up the form.

  5. step 05

    Work on the hair, using a variety of brushstrokes to create texture and movement. Use darker tones in the shadows and lighter tones in the highlights.

  6. step 06

    Develop the folds and drapery of the robe, using a combination of blending and scumbling techniques. Pay attention to the way the light interacts with the fabric.

  7. step 07

    Add the details of the hands, paying attention to the anatomy and the way they interact with the robe.

  8. step 08

    Refine the overall composition, making adjustments to the values and colors as needed. Add any final details, such as highlights and shadows.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ultramarine blue · cadmium orange · ivory black

Achieve the robe's color by mixing burnt umber, raw sienna, and a touch of cadmium orange. Use ultramarine blue and white for the shirt. Darken colors with ivory black.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·fabric rendering

common pitfalls

  • →Overworking the details of the face too early in the process.
  • →Failing to capture the correct proportions of the figure.
  • →Creating a flat, lifeless rendering of the fabric.
  • →Ignoring the subtle value changes that create depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·cadmium orange oil paint
  • ·ivory black oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve flow.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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