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home·artworks·Thomas of Villanova giving alms to the poors
Thomas of Villanova giving alms to the poors by Bartolomé Esteban Murillo

plate no. 9002

Thomas of Villanova giving alms to the poors

Bartolomé Esteban Murillo, 1678

oilBaroquereligious paintingfiguresarchitecturereligious scenepovertycharitybishop
experienced study

Recreating this painting will help students develop skills in figure drawing, rendering drapery, and creating a sense of depth through atmospheric perspective. It's also a good exercise in understanding and applying chiaroscuro.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures and architectural elements, paying attention to proportions and placement.

  2. step 02

    Establish the overall value structure by blocking in the dark areas with a thin wash of burnt umber or a similar dark earth tone.

  3. step 03

    Gradually build up the mid-tones, focusing on the light source and how it affects the forms.

  4. step 04

    Start adding color, working from the darkest areas to the lightest, and blending carefully to create smooth transitions.

  5. step 05

    Refine the details of the figures, paying attention to facial expressions and anatomical accuracy.

  6. step 06

    Develop the architectural elements, focusing on perspective and the play of light and shadow.

  7. step 07

    Add highlights and final touches to create a sense of realism and depth.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the overall effect.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red light · yellow ochre · ultramarine blue

Achieve the muted tones by mixing earth colors with black and white. Use small amounts of cadmium red and yellow ochre to add warmth to the skin tones and drapery. Ultramarine blue can be used to cool down shadows.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·underpainting
  • ·figure drawing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early
  • →Incorrect proportions of the figures
  • →Failing to establish a strong value structure
  • →Using colors that are too bright or saturated

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine
  • ·painting easel

Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for this style of painting.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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