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The Young Singer by Georges de la Tour

plate no. 2870

The Young Singer

Georges de la Tour, 1645

oil, canvasTenebrismportraitfigureportraitcandlelightbooktenebrismreligious
some experience helpful

Recreating this painting will help students understand dramatic lighting and how to create form using value changes. It also provides practice in rendering skin tones under unusual lighting conditions.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
5
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and the book.

  2. step 02

    Establish the darkest areas of the background and the shadowed parts of the figure.

  3. step 03

    Block in the general areas of light on the face, hands, and clothing with a mid-tone.

  4. step 04

    Begin layering lighter tones to build up the highlights where the candlelight hits the figure.

  5. step 05

    Carefully blend the transitions between light and shadow to create a soft, luminous effect.

  6. step 06

    Add details to the face, such as the eyes, nose, and mouth, paying close attention to how the light affects their appearance.

  7. step 07

    Refine the details of the book and the hands, ensuring they are accurately rendered in shadow.

  8. step 08

    Add final highlights and details to enhance the overall sense of realism and drama.

color palette

primary · raw umber · burnt sienna · ivory black

secondary · cadmium red light · titanium white

Mix raw umber and ivory black for the dark background. Use burnt sienna and white for the warm highlights, adding a touch of red for the lips and cheeks. Gradually lighten the skin tones by adding more white.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·blending
  • ·scumbling

common pitfalls

  • →Failing to establish a strong value contrast.
  • →Over-blending, resulting in a muddy appearance.
  • →Inaccurate proportions in the figure.
  • →Ignoring the subtle shifts in color temperature caused by the candlelight.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·linseed oil
  • ·assorted round brushes

optional

  • ·palette knife
  • ·retouch varnish
  • ·painting medium

Use a canvas with a smooth surface to facilitate blending. Consider using a glazing medium to enhance the luminosity of the colors.

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oil painting for beginners →how to learn by studying the masters →
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