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St. Philip by Jusepe de Ribera

plate no. 8216

St. Philip

Jusepe de Ribera, 1610

oilTenebrismreligious paintingfiguredraperybeardcrosshaloreligious
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly rendering realistic skin tones and drapery folds. It also provides practice in creating a dramatic chiaroscuro effect.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's pose and the placement of the cross.

  2. step 02

    Establish the background with a dark, muted blue-gray tone.

  3. step 03

    Block in the main shapes of the figure and drapery with mid-tone browns and creams.

  4. step 04

    Begin building up the highlights and shadows on the face, paying close attention to the bone structure and wrinkles.

  5. step 05

    Refine the drapery folds, using a combination of blending and sharp lines to create a sense of volume.

  6. step 06

    Add details to the beard and hair, using thin brushes and varied brushstrokes.

  7. step 07

    Paint the cross with dark browns and subtle highlights.

  8. step 08

    Add the halo with a very light yellow or gold, blending it softly into the background.

color palette

primary · raw umber · titanium white · ivory black

secondary · yellow ochre · ultramarine blue · burnt sienna

Achieve skin tones by mixing raw umber, white, and small amounts of yellow ochre and burnt sienna. Darken shadows with ivory black and ultramarine blue. Create the drapery by mixing white with small amounts of raw umber and yellow ochre.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·dry brushing
  • ·blending
  • ·scumbling

common pitfalls

  • →Overblending the shadows, resulting in a flat, lifeless appearance.
  • →Failing to capture the subtle variations in skin tone.
  • →Making the drapery folds too uniform and predictable.
  • →Getting the proportions of the figure wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →how to learn by studying the masters →
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