apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The young flower seller
The young flower seller by Victor Gabriel Gilbert

plate no. 4606

The young flower seller

Victor Gabriel Gilbert

oilRealismgenre paintingflowerschildrenmarketfiguresplantsgarden
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a natural setting and capturing the subtle color variations in flowers and foliage. It also provides practice in creating depth through atmospheric perspective and layering.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and placement of figures and the flower stand.

  2. step 02

    Block in the main shapes and colors of the background, including the building and foliage, using thin washes.

  3. step 03

    Establish the basic values and colors of the figures, focusing on accurate proportions and gestures.

  4. step 04

    Start building up the layers of flowers, paying attention to the variety of colors and textures.

  5. step 05

    Add details to the flower pots and the stand, using a smaller brush.

  6. step 06

    Refine the lighting and shadows to create depth and dimension.

  7. step 07

    Add final details to the figures, such as facial features and clothing folds.

  8. step 08

    Glaze with thin layers to unify the painting and adjust colors as needed.

color palette

primary · yellow ochre · burnt umber · titanium white · cadmium red

secondary · ultramarine blue · sap green · alizarin crimson

Achieve the muted tones by mixing complementary colors. Use white to lighten values and create subtle gradations. Mix greens by blending yellow ochre and ultramarine blue.

techniques

  • ·blocking in
  • ·layering
  • ·glazing
  • ·dry brushing
  • ·scumbling

common pitfalls

  • →Overworking the details too early
  • →Getting the proportions of the figures wrong
  • →Using colors that are too saturated
  • →Failing to create a sense of depth

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-tooth canvas for optimal texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy