apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The writer
The writer by Pericles Pantazis

plate no. 8144

The writer

Pericles Pantazis

oilRealismgenre paintingfigureportraitbookstablebeardfeather
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and creating realistic skin tones, as well as understanding how to create depth and form using subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: the figure, the table, and the books.

  2. step 02

    Establish the background with a thin wash of dark, muted colors.

  3. step 03

    Block in the main value areas of the figure, focusing on the shadows and highlights on the face and hands.

  4. step 04

    Start building up the details of the face, paying attention to the subtle transitions in value and color.

  5. step 05

    Work on the beard, using short, broken brushstrokes to create texture.

  6. step 06

    Paint the clothing and the chair, using darker values and less detail.

  7. step 07

    Add the details of the books and the table, paying attention to the light and shadow.

  8. step 08

    Refine the details and adjust the values as needed to create a sense of depth and realism.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · yellow ochre · cadmium red light · viridian

Mix various shades of brown and gray by combining burnt umber, raw sienna, ivory black, and titanium white. Use small amounts of yellow ochre and cadmium red light to add warmth to the skin tones. Viridian can be used to create the green hues in the chair.

techniques

  • ·portraiture
  • ·value studies
  • ·layering
  • ·blending
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle transitions in value and color.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (burnt umber, raw sienna, ivory black, titanium white, yellow ochre, cadmium red light, viridian)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering and blending.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy