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home·artworks·The workshop with Mimosa
The workshop with Mimosa by Pierre Bonnard

plate no. 4733

The workshop with Mimosa

Pierre Bonnard, 1935

oilIntimisminteriorwindowinteriorlandscapetreesbuildingscurtain
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as understanding how to represent light and shadow in an impressionistic style. Students will also learn to simplify complex scenes into basic shapes and colors.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the window frame and the main shapes of the landscape outside.

  2. step 02

    Block in the large areas of color, starting with the background and working forward.

  3. step 03

    Layer different shades of yellow and green to create the foliage outside the window.

  4. step 04

    Add details to the buildings and trees, using small brushstrokes and varying colors.

  5. step 05

    Paint the curtain and the interior elements, paying attention to the light and shadow.

  6. step 06

    Refine the details and add highlights to create depth and dimension.

  7. step 07

    Add the window frame details.

  8. step 08

    Let dry and add a final glaze if desired.

color palette

primary · yellow ochre · cadmium yellow · burnt sienna

secondary · ultramarine blue · sap green · alizarin crimson

Mix various shades of yellow and green by combining yellow ochre, cadmium yellow, sap green, and ultramarine blue. Use burnt sienna and alizarin crimson for the warmer tones of the interior and buildings.

techniques

  • ·broken color
  • ·layering
  • ·scumbling
  • ·impressionistic brushstrokes
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Using colors straight from the tube without mixing them.
  • →Not paying attention to the light and shadow, resulting in a flat image.
  • →Getting the perspective of the window frame wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·turpentine or mineral spirits (for cleaning brushes)

optional

  • ·medium gloss
  • ·easel
  • ·painting rags

Use a medium-sized canvas to allow for sufficient detail. Acrylics are faster drying, while oils allow for more blending time.

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related guides

oil painting for beginners →how to learn by studying the masters →
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