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home·artworks·Girl with a Dog in the Park at Grand Lemps (also known as Dauphine)
Girl with a Dog in the Park at Grand Lemps (also known as Dauphine) by Pierre Bonnard

plate no. 2870

Girl with a Dog in the Park at Grand Lemps (also known as Dauphine)

Pierre Bonnard, 1900

oil, panelPost-Impressionismlandscapetreesgrassbuildingfigureskylandscape
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as simplifying complex forms into expressive brushstrokes. It's a good exercise in capturing the overall impression of a scene rather than focusing on precise details.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, indicating the horizon line, major tree trunks, and the location of the building and figure.

  2. step 02

    Block in the sky with a thin wash of blue and white, allowing some of the underpainting to show through.

  3. step 03

    Establish the main areas of green for the grass, using varying shades and adding touches of yellow and brown.

  4. step 04

    Paint the building with a base of orange and brown, then add details like the roof tiles and windows.

  5. step 05

    Add the dark greens and browns for the trees and foliage, using short, broken brushstrokes.

  6. step 06

    Paint the figure with a light blue and white mix, keeping the details minimal.

  7. step 07

    Add highlights and shadows to create depth and dimension throughout the painting.

  8. step 08

    Refine the details and adjust the colors as needed to achieve the desired effect.

color palette

primary · viridian green · cerulean blue · burnt sienna · yellow ochre

secondary · titanium white · raw umber · cadmium orange

Mix greens by combining blues and yellows, and create earth tones by mixing browns, oranges, and yellows. Use white to lighten colors and create highlights.

techniques

  • ·broken color
  • ·scumbling
  • ·layering
  • ·impressionistic brushwork
  • ·color mixing

common pitfalls

  • →overworking the details
  • →using too much paint
  • →not varying the brushstrokes
  • →ignoring the color temperature

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a limited palette to simplify the color mixing process. Consider using a toned canvas to create a more unified color scheme.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

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