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home·artworks·A Plate of Figs
A Plate of Figs by Pierre Bonnard

plate no. 8937

A Plate of Figs

Pierre Bonnard, 1921

oilPost-Impressionismgenre paintingfiguresfruittablebowlinteriorstill life
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle skin tones and capturing the texture of objects with visible brushstrokes. It also encourages observation of light and shadow to create depth.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition lightly on the canvas, paying attention to the placement of the figures, bowl, and other objects.

  2. step 02

    Block in the main areas of color using thin washes, focusing on the overall values and color temperature.

  3. step 03

    Begin building up layers of paint, adding more detail and definition to the figures and objects.

  4. step 04

    Mix colors carefully to match the subtle variations in skin tones and the colors of the figs.

  5. step 05

    Use visible brushstrokes to create texture and add interest to the painting.

  6. step 06

    Pay attention to the light and shadow, adding highlights and shadows to create depth and dimension.

  7. step 07

    Refine the details and make any necessary adjustments to the composition and color balance.

  8. step 08

    Add final touches and highlights to complete the painting.

color palette

primary · yellow ochre · raw umber · titanium white · alizarin crimson

secondary · viridian · ultramarine blue · cadmium yellow light

Achieve skin tones by mixing alizarin crimson, yellow ochre, and white, adjusting the proportions to create warm and cool tones. Mix greens for the figs by combining viridian, yellow ochre, and white.

techniques

  • ·broken color
  • ·scumbling
  • ·wet-on-dry layering
  • ·color mixing
  • ·impasto

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to capture the subtle variations in color and value.
  • →Ignoring the importance of light and shadow.
  • →Getting bogged down in details too early in the process.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·medium gloss
  • ·easel
  • ·painting rags

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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