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home·artworks·The Widow's Mite
The Widow's Mite by Émile Auguste Hublin

plate no. 7656

The Widow's Mite

Émile Auguste Hublin, 1869

oil, canvasRealismreligious paintingfiguresreligious sceneinteriorclothingtablebook
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing subtle skin tones and rendering realistic fabric textures. It also provides practice in creating a sense of depth and atmosphere through careful value control.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and objects.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Begin to develop the skin tones, paying close attention to the subtle variations in color and value.

  4. step 04

    Work on the clothing, focusing on the folds and textures of the fabric.

  5. step 05

    Add details to the faces, hands, and objects, refining the forms and adding highlights and shadows.

  6. step 06

    Develop the background, creating a sense of depth and atmosphere.

  7. step 07

    Glaze thin layers of color to unify the painting and enhance the overall effect.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ultramarine blue

Mix skin tones with white, yellow ochre, and a touch of burnt sienna. Use ivory black and raw umber for dark areas, lightening with white for highlights. Create grays by mixing black, white, and a touch of blue or brown.

techniques

  • ·portraiture
  • ·glazing
  • ·value control
  • ·blending
  • ·rendering fabric

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to establish a strong value structure.
  • →Ignoring the subtle variations in skin tones.
  • →Getting lost in details before establishing the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve flow.

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oil painting for beginners →how to learn by studying the masters →
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