apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The white gum
The white gum by Hans Heysen

plate no. 9413

The white gum

Hans Heysen, 1923

oilRealismlandscapetreeslandscapeskyfoliagegroundhills
some experience helpful

Recreating this painting will help students develop skills in layering washes and creating depth through atmospheric perspective. It also provides practice in rendering tree bark texture and foliage with loose brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main tree trunks and horizon line.

  2. step 02

    Apply a light wash of blue for the sky, leaving some areas lighter for clouds.

  3. step 03

    Paint the distant hills with a diluted mix of browns and blues to create atmospheric perspective.

  4. step 04

    Begin layering washes of browns and greens for the ground, varying the intensity to create depth.

  5. step 05

    Paint the tree trunks with a light grey wash, adding darker shadows with a mix of brown and blue.

  6. step 06

    Add foliage using small, broken brushstrokes of greens, browns, and yellows.

  7. step 07

    Define the details of the tree bark with dry brush strokes of darker browns and greys.

  8. step 08

    Add final highlights to the trees and ground to create contrast and interest.

color palette

primary · ultramarine blue · burnt umber · raw sienna

secondary · yellow ochre · sap green · titanium white

Mix ultramarine and burnt umber for the darker tree shadows and distant hills. Use raw sienna and yellow ochre for the warmer tones in the ground and foliage. Add white to lighten the sky and tree trunks.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·layering washes
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Making the colors too saturated and unrealistic.
  • →Not creating enough depth in the landscape.
  • →Using too much water and causing the colors to bleed excessively.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (various sizes)
  • ·flat brush
  • ·palette
  • ·water container
  • ·paper towels

optional

  • ·masking fluid
  • ·palette knife
  • ·kneaded eraser

Use high-quality watercolor paper to prevent buckling and allow for multiple washes. Experiment with different brush sizes to achieve varying levels of detail.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy