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home·artworks·The West Façade of the Mariakerk at Utrecht
The West Façade of the Mariakerk at Utrecht by Pieter Saenredam

plate no. 6092

The West Façade of the Mariakerk at Utrecht

Pieter Saenredam, 1662

oilBaroqueinteriorbuildingchurcharchitectureskyfigureslandscape
some experience helpful

Recreating this painting will help students develop skills in architectural rendering, perspective, and subtle color mixing to create a sense of age and atmosphere. It also provides practice in rendering details like windows and stonework.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the building and tower, paying attention to perspective.

  2. step 02

    Block in the sky with a thin wash of light blue and white, blending softly.

  3. step 03

    Establish the base color of the building using a mix of white, ochre, and a touch of umber.

  4. step 04

    Begin adding shadows and highlights to define the architectural details, using darker and lighter tones of the base color.

  5. step 05

    Carefully paint the details of the windows, arches, and other architectural elements.

  6. step 06

    Add texture to the building's surface to suggest age and weathering.

  7. step 07

    Paint the figures in the foreground, keeping them small and simple.

  8. step 08

    Add final details like birds in the sky and small plants growing on the building.

color palette

primary · titanium white · yellow ochre · raw umber

secondary · cerulean blue · burnt sienna

The key to this painting is subtle color mixing. Use white as a base and add small amounts of ochre and umber to create a range of neutral tones. Mix blue and white for the sky, and add a touch of umber for the clouds.

techniques

  • ·linear perspective
  • ·glazing
  • ·dry brushing
  • ·atmospheric perspective
  • ·grisaille underpainting

common pitfalls

  • →Getting the perspective wrong, which will make the building look distorted.
  • →Using colors that are too bright or saturated, which will detract from the painting's muted atmosphere.
  • →Overworking the details, which will make the painting look stiff and unnatural.
  • →Ignoring the subtle variations in tone and color, which will make the building look flat.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·cerulean blue oil paint
  • ·burnt sienna oil paint
  • ·linseed oil
  • ·#2 round brush
  • ·#4 filbert brush

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use high-quality oil paints for best results. A smooth canvas surface will make it easier to blend the colors.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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