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home·artworks·The Welcome
The Welcome by Briton Riviere

plate no. 7208

The Welcome

Briton Riviere

oilRealismgenre paintingfiguredogdoorwaybuildingtools
some experience helpful

Recreating this painting will help students develop skills in rendering realistic figures and textures, as well as understanding subtle value shifts to create depth and form. It also provides an opportunity to practice capturing the likeness and proportions of an animal.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the proportions of the figure and the placement of the dog.

  2. step 02

    Establish the main value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the local colors of the figure's clothing, the dog, and the background, focusing on accurate color matching.

  4. step 04

    Begin refining the details of the figure's face and hands, using subtle value changes to create form.

  5. step 05

    Add texture to the clothing and the stone wall using dry brush techniques.

  6. step 06

    Refine the details of the dog, paying attention to its anatomy and fur texture.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · yellow ochre · raw sienna · ivory black

secondary · ultramarine blue · titanium white · cadmium red

Mix various shades of brown and beige by combining burnt umber, yellow ochre, and white. Use ultramarine blue and burnt umber to create dark shadows. Add small amounts of cadmium red to warm up the browns.

techniques

  • ·underpainting
  • ·value study
  • ·dry brush
  • ·blending
  • ·glazing

common pitfalls

  • →Incorrect proportions of the figure or dog
  • →Over-blending, resulting in a flat appearance
  • →Ignoring subtle value changes
  • →Getting lost in details too early

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (burnt umber, yellow ochre, raw sienna, ivory black, ultramarine blue, titanium white, cadmium red)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·medium gloss
  • ·easel
  • ·color chart

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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