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home·artworks·The Wedding Party
The Wedding Party by Willem Cornelisz Duyster

plate no. 5849

The Wedding Party

Willem Cornelisz Duyster, 1625

oilBaroquegenre paintingfiguresinteriorgroup portraitclothingfloor tilesmusical instruments
experienced study

Recreating this painting will help students develop skills in rendering figures in complex poses and understanding atmospheric perspective to create depth. It also provides practice in capturing the textures of different fabrics and materials.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 7 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures.

  2. step 02

    Block in the large shapes of the background and floor, establishing the overall value structure.

  3. step 03

    Begin adding details to the figures, starting with the faces and hands.

  4. step 04

    Develop the clothing, paying attention to the folds and textures of the fabrics.

  5. step 05

    Refine the details of the musical instruments and other objects in the scene.

  6. step 06

    Adjust the values and colors to create a sense of depth and atmosphere.

  7. step 07

    Add final highlights and shadows to enhance the realism of the painting.

color palette

primary · raw umber · ivory black · titanium white · cadmium red

secondary · yellow ochre · burnt sienna · ultramarine blue

Use raw umber and ivory black mixed with white for the dark background. Mix cadmium red with white and a touch of yellow ochre for the red clothing. Use burnt sienna and ultramarine blue to create neutral grays.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details and losing the overall sense of unity.
  • →Failing to create a convincing sense of depth.
  • →Inaccurate rendering of the floor tiles.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·#2 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a toned ground to help establish the overall value structure.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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