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home·artworks·The wager
The wager by Jan Siberechts

plate no. 3794

The wager

Jan Siberechts, 1679

oilBaroquegenre paintinglandscapetreesfiguresanimalsskyclouds
experienced study

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex foliage. It also provides practice in depicting figures and animals in a naturalistic setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the large tree, the horizon line, and the figures.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber, paying attention to the areas of light and shadow.

  3. step 03

    Block in the sky and clouds using a limited palette of white, yellow ochre, and raw umber.

  4. step 04

    Begin building up the foliage of the trees, using a variety of greens, browns, and yellows. Use small, broken brushstrokes to create texture.

  5. step 05

    Paint the figures and animals, paying attention to their proportions and anatomy. Use highlights and shadows to create form.

  6. step 06

    Add details to the landscape, such as the distant buildings and the reflections in the water.

  7. step 07

    Refine the painting by adjusting the values, colors, and details. Pay attention to the overall harmony of the composition.

  8. step 08

    Add final glazes to unify the colors and create depth.

color palette

primary · burnt umber · yellow ochre · titanium white · sap green

secondary · raw umber · cadmium yellow · ivory black

Achieve the various greens by mixing sap green with yellow ochre and burnt umber. Use white to lighten the colors and create highlights. Mix burnt umber and ivory black for dark shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·broken color
  • ·chiaroscuro

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Failing to establish a strong value structure.
  • →Using too much green and creating a monotonous landscape.
  • →Neglecting the importance of edges and transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·sap green oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·raw umber oil paint
  • ·ivory black oil paint

Use high-quality oil paints for best results. A pre-toned canvas with a warm undertone can be helpful.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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