
plate no. 2300
Nicolaes Maes, 1655
This painting provides a good exercise in rendering realistic skin tones and capturing the fall of light in an interior scene. Students will also practice painting different textures, such as fabric and wood.
technical profile
approach — 8 steps
Begin with a light sketch outlining the main shapes and composition.
Establish the dark and light areas with a thin wash of burnt umber.
Block in the main colors of the background, figure, and objects.
Start building up the skin tones using layers of thin glazes.
Refine the details of the clothing, furniture, and architectural elements.
Pay close attention to the light source and how it affects the shadows and highlights.
Add the final details, such as the book, the flowers, and the figures in the window.
Glaze overall to unify the painting and adjust values.
color palette
primary · ivory black · titanium white · burnt umber · yellow ochre
secondary · cadmium red · ultramarine blue · raw sienna
Mix skin tones using white, yellow ochre, burnt umber, and a touch of red. Create the dark fabrics by mixing black with burnt umber and a hint of blue.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.
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