apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Virgin Mary Gives The Crown And Sceptre To Louis XIV
The Virgin Mary Gives The Crown And Sceptre To Louis XIV by Philippe de Champaigne

plate no. 2198

The Virgin Mary Gives The Crown And Sceptre To Louis XIV

Philippe de Champaigne, 1643

oil, canvasBaroquereligious paintingfiguresreligiouscloudsfabriccrowncarpet
experienced study

Recreating this painting would help students develop skills in figure painting, drapery rendering, and creating atmospheric perspective with clouds. It also provides practice in capturing realistic skin tones and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and composition, paying attention to proportions and placement.

  2. step 02

    Block in the large areas of color, starting with the background and the sky.

  3. step 03

    Establish the basic values and shadows on the figures and drapery.

  4. step 04

    Begin refining the details of the faces, hands, and clothing.

  5. step 05

    Add highlights and subtle color variations to create depth and realism.

  6. step 06

    Work on the details of the crown and other decorative elements.

  7. step 07

    Refine the background and add any final touches.

  8. step 08

    Glaze to unify the painting and adjust values as needed.

color palette

primary · ultramarine blue · rose madder · yellow ochre · ivory black

secondary · burnt umber · titanium white · cadmium yellow light

Achieve skin tones by mixing rose madder, yellow ochre, and white, with small amounts of blue or umber for shadows. Create the blue drapery by mixing ultramarine blue with white and a touch of black for darker areas.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·drapery rendering

common pitfalls

  • →incorrect proportions of figures
  • →overly harsh shadows
  • →flat or lifeless skin tones
  • →inaccurate rendering of drapery folds

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne