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home·artworks·The Virgin and Child with St. Rosalina
The Virgin and Child with St. Rosalina by Bartolomé Esteban Murillo

plate no. 3799

The Virgin and Child with St. Rosalina

Bartolomé Esteban Murillo, 1670

oil, canvasBaroquereligious paintingfiguresreligiousangelsskycityscapeclothing
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating atmospheric perspective. It also provides practice in blending and glazing techniques to achieve soft transitions and subtle color variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the main figures and composition lightly on the canvas.

  2. step 02

    Establish the background with thin washes of color, focusing on the sky and cityscape.

  3. step 03

    Block in the main color masses for the figures, paying attention to the overall value structure.

  4. step 04

    Begin to refine the forms of the figures, adding details and modeling the light and shadow.

  5. step 05

    Develop the drapery, using soft blending to create folds and highlights.

  6. step 06

    Add details to the faces, focusing on capturing the expressions and likenesses.

  7. step 07

    Glaze over the painting to unify the colors and create depth.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ultramarine blue · burnt umber · titanium white · cadmium red light

secondary · yellow ochre · raw sienna · ivory black

Achieve skin tones by mixing titanium white, cadmium red light, and yellow ochre. Use ultramarine blue and burnt umber to create dark shadows and muted tones. Mix glazes with linseed oil to create translucent layers.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·sfumato
  • ·figure drawing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or bright.
  • →Not blending the colors smoothly enough.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·raw sienna oil paint
  • ·ivory black oil paint

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color harmony.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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