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home·artworks·The Virgin and Child in the company of little St. John and his parents
The Virgin and Child in the company of little St. John and his parents by Jacob Jordaens

plate no. 2730

The Virgin and Child in the company of little St. John and his parents

Jacob Jordaens, 1617

oilBaroquereligious paintingfiguresreligious scenebirdcagelambdraperyfamily
experienced study

Recreating this painting will help students develop skills in portraiture, figure drawing, and rendering realistic skin tones with subtle gradations. It also provides practice in creating a focal point through the use of light and shadow.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Begin building up the skin tones, focusing on capturing the subtle variations in light and shadow.

  4. step 04

    Develop the drapery, paying attention to the folds and highlights.

  5. step 05

    Paint the birdcage and lamb, adding details to create texture and realism.

  6. step 06

    Refine the facial features and expressions of the figures.

  7. step 07

    Adjust the overall values and contrast to create a sense of depth and drama.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre · ivory black

Achieve skin tones by mixing white, sienna, and a touch of red. Use umber and black for shadows, and add blue to darken the drapery.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·figure drawing

common pitfalls

  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to establish a strong sense of light and shadow.
  • →Getting the proportions of the figures wrong.
  • →Ignoring the subtle details that bring the painting to life.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, raw sienna, titanium white, cadmium red, ultramarine blue, yellow ochre, ivory black)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·medium gel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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