
plate no. 6498
Gerard Terborch, 1665
Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering realistic skin tones, as well as understanding chiaroscuro to create depth and form.
technical profile
approach — 8 steps
Prepare the canvas with a toned ground (burnt umber or similar).
Lightly sketch the main shapes: the figure, violin, table, and cup.
Block in the dark background, establishing the overall value structure.
Begin layering the skin tones, starting with mid-tones and gradually adding highlights and shadows.
Develop the drapery, paying attention to the folds and highlights.
Paint the violin, focusing on the details of the wood grain and varnish.
Add details to the table and cup, including highlights and shadows.
Refine the details and adjust the values to create a cohesive and realistic image.
color palette
primary · ivory black · raw umber · titanium white · yellow ochre
secondary · burnt sienna · cadmium yellow light · alizarin crimson
Mix various shades of brown and gray by combining the primary colors. Use yellow ochre and white for highlights on the skin. Add small amounts of alizarin crimson for warmth in the shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
A smooth canvas is recommended for this style of painting. Consider using a medium-grain canvas for a slightly textured effect.
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