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home·artworks·The Village, Auvers sur Oise
The Village, Auvers sur Oise by Charles-Francois Daubigny

plate no. 0506

The Village, Auvers sur Oise

Charles-Francois Daubigny

oil, canvasRealismcityscapebuildingswaterskyvillagearchitecturewall
some experience helpful

This painting is great for practicing atmospheric perspective and capturing the subtle variations in light and shadow on architectural forms. Students will also learn to simplify complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, walls, and water, paying attention to proportions.

  2. step 02

    Establish the horizon line and the overall composition.

  3. step 03

    Block in the large areas of color, starting with the sky and water.

  4. step 04

    Gradually add details to the buildings and walls, focusing on the light and shadow.

  5. step 05

    Use broken brushstrokes to create texture and visual interest.

  6. step 06

    Refine the details and add highlights to create a sense of depth.

  7. step 07

    Add reflections in the water, keeping them soft and muted.

  8. step 08

    Adjust values and colors as needed to create a harmonious composition.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · ultramarine blue · burnt sienna · sap green

Mix white with raw umber and a touch of yellow ochre for the walls. Use ultramarine blue and white for the sky, and add a touch of burnt sienna for warmth. Mix raw umber, sap green, and a touch of ultramarine blue for the water.

techniques

  • ·dry brush texture
  • ·broken color
  • ·atmospheric perspective
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the overall impression.
  • →Using colors that are too saturated.
  • →Failing to establish a clear value structure.
  • →Ignoring atmospheric perspective and making distant objects too sharp.
  • →Not simplifying the complex architectural details.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel
  • ·odorless mineral spirits

Use a medium-textured canvas to enhance the broken brushstroke effect. Consider using a limited palette to achieve color harmony.

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oil painting for beginners →how to learn by studying the masters →
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